2014 CNEX 國際華人紀錄片影展

刻夢者 The Dreamcarver: A Portrait of PAMPILA

澳洲 Australia │ 2012 │ 13min │ Vincent MOON

Sigur rós, Arcade Fire, R.E.M. 等樂團邀約不斷的當紅導演，毅然背起背包流浪紀錄不同民族的生命狀態。西澳傳統木藝師宛如儀式般重複敲擊的迴力鏢，已淪為消費者的伴手禮，唯有來自夢境的古老旋律，始終低聲迴盪祖先的遙遠記憶。

Vincent Moon is an independent Paris filmmaker. For recent years, he has been travelling around the globe with a camera in his backpack, documenting local folklores and religious rituals. Pampila crafts traditional boomerangs in Broome for a living, while being an indigenous musician as well.

空氣中的苦難 There is Something in the Air

印度 India │ 2011 │ 29min │ IRAM Ghufran

當人們遭遇任何方法都無法解決的問題，便會至片中的貝德薩卡神廟中「請願」，求助於聖人，以舞蹈、行走、譫語等舉止，釋放他們的恐懼、壓抑與慾望。如導演所說，「我覺得癲狂比我們以為的更接近我們一一它永遠在我們身體裡⋯⋯而我們總是用『正常』來逃避它。」

When people desperately believe that they have no way out, they come to the Shrine of Bade Sarkar, seeking help from the saints. As described by the director, "I think MADNESS is closer than we thought. It is always inside us⋯though we used to escape by regarding it ORDINARY."

尋找木柵女 Looking for Siraya

台灣 Taiwan │ 2013 │ 28min │鄭立明 CHENG Li-ming

1871 年，蘇格蘭攝影師約翰．湯姆生來台拍攝了第一批照片在西方成功傳播的台灣影像，當中有一位原住民母親在木柵抱著嬰孩熠熠發光。照片由3D 攝影機拍攝，呈現左右雙重影像，像是兩扇矗立的大門，通往追尋島嶼歷史以及先民來源的路。

In 1871, John Thompson the Scottish photographer came to Formosa, and shot a series of images, which became the first, widely published set of photos of Formosa in the West. One of the most famous portraits displays a mysterious, aboriginal mother holding a baby in Muzha. This photo was shot with a 3D camera, its door-like double images lead the crew to the pursuit of the history about our motherland and ancestors.

牆 EL HIT YHÉB YESEELKOM LABAS ?

突尼西亞 Tunisia │ 2012 │ 3min │ Ahmed HERMASSI

茉莉花革命過後，互聯網與公共空間的言論封鎖相對放寬。媒體藝術背景的年輕導演以一句突尼西亞俚語為題，縮時呈現牆上塗鴉的變化，重塑坊間激烈辯論的社會現象。影片當時迅速橫掃當地社交網站，翌年入圍坎城影展「短片角落」單元。

Mainly shown on walls in the form of graffiti, the revolution in Tunisia is full of messages. These messages were often contradictory just as the political reality of pay. This video brings together the most famous messages in chronological order while exposing the unchanged, telling us what has happened in Tunisia since the revolution.

今夜好好睡 Lullaby

俄羅斯、德國Russia - Germany │ 2012 │ 3min │ Victor KOSSAKOVSKY

幾位遊民熟睡在銀行地上，想要提款的人應該跨過去、安靜離開，抑或別無選擇？屬於城市的搖籃曲，真實揭露經濟危機，黑夜中透出一線曙光。俄羅斯著名導維多柯薩寇夫斯基一針見血之作 。

A couple of homeless men lie sleeping on the floor of a bank vestibule. If you wanted to use the ATM, you would have to step right over them or find another ATM. KOSSAKOVSKY captures this economic crisis in a single image.

兩個1984 Dual 1984

台灣 Taiwan │ 2014 │ 25min │高俊宏 KAO Jun-honn

關於1984 年地球兩端的兩件事：「英國礦工大罷工事件」、「台灣海山一坑爆炸及礦業衰亡」，其背後皆牽涉了至今三十年來新自由主義全球化的衝擊。高俊宏在曼徹斯特駐村期間，重回現場拍攝這英國社會勞工抗爭代表性的一役。

In reference to the globalization of neoliberalism in the last 30 years, two significant events happened in 1984, both related to the mining industry – the mass rally in UK, and the Hai-san mine disaster in Taiwan.

佔領第561小時 The 561th Hour of Occupation

台灣 Taiwan │ 2014 │ 6 min │袁廣鳴YUAN Goang-ming

台灣史上第一次，學生佔領立法院長達585 小時。影像緩緩掃描空無一人的議場，我們才得以／被迫檢視在場卻又不屬於原本現場的物件。放慢一半及倒轉的國歌，使議場頓時轉變為神聖的教堂，時間在豐盛、頹圮及虛空（void）中往返滑行。

For the first time, students occupied Taiwan's parliament for 585 hours. The soundtrack of this documentary is derived from our national anthem. This vanishing ephemeral scenery transforms the chamber, which is made familiar to us by mass media into a spectacle more magnificent than the media spectacle.

朋友─瓦旦 Friend Watan

台灣 Taiwan │ 2013 │ 36min │陳界仁 CHEN Chieh-jen

行為藝術家瓦旦．塢瑪是陳界仁認識十幾年的朋友。在上一個計劃《幸福大廈 I》所搭建的場景，瓦旦僅存有的幾張照片與一本筆記本， 構成了這部「非傳記」、「非紀實」的影片。關於「過往」，無論它以何種形式殘存，某方面說，消逝是必然的。

CHEN has been friends with Watan Uma for more than ten years. Before he started filming, he asked Watan if he could see a picture of him when he was younger. A few days later, with a few pictures and a notebook in hand, Watan told him, "I could only find these. The rest are missing." No matter what remains of the past, in a certain respect, their disappearance is inevitable.

歸途 Homecoming

香港 Hong Kong │ 2014 │ 37 min │ 洪光賢 Kwong-yin Brian HUNG

數位水墨始創者黃琮瑜，打破普羅大眾認為國畫是老土陳舊玩意的的迷思；編舞家周佩韻打破香港觀眾被動地觀賞舞蹈的模式。兩位藝術家沒有因為香港社會的利益主義而消磨了意志，他們鍥而不捨的精神為香港觀眾╱藝術界帶來改變。二人的創新，不單帶動了香港藝術界，更重要是透過他們對創作的熱誠，使我們明白到只要有「心」，無論環境有多困難，也能堅持一份「愛」。

Digital Artist Wong Chung Yu created digital ink paintings to break the public prejudice of seeing Chinese ink painting as old-school and banal. Choreographer Pewan Chow broke the passive pattern of Hong Kong audience in viewing dance.The prevailing utilitarianism in Hong Kong did not weaken the spirit of two artists. Instead, they persisted and brought changes to Hong Kong art circle and audience. Their enthusiasm for art-creating, they showed us however difficult the environment may be, we can still hang on with "love," as long as we have our "heart" with us.

【放映場次】

自造世代 Maker

台灣 Taiwan │ 2014 │ 65 min │ 蔡牧民 TSAI Mu-ming

2014 荷蘭Craft in Focus 紀錄片影展 Craft in Focus Documentary Film Festival

2014 新加坡設計影展 A Design Film Festival

新世代的「自造者運動」，蘊含古老手工精神與對於全球供應鏈系統的抵抗。本片由《設計與思考》團隊，訪問美國自造者運動的主要靈魂人物，以及科技領域的思想領袖，探討這一波Maker（自造者）的背景、本質及蘊含能量。反思 DIY（Do-It-Yourself） 或 DIT（Do-It-Together）文化，將為社會經濟及製造業，如何帶來重大影響？同時，全球代工重鎮台灣，又應如何積極思考下一步的轉型方向？

排灣人撒古流：15 年後 Sakuliu 2 : The Conditions of Love

台灣 Taiwan │ 2013 │ 88 min │ 陳若菲CHEN Jofei

2013 台北電影獎入圍 Best Documentary Nomination,Taipei Film Awards

2013 北京獨立影像展 Beijing Independent Film Festival

對排灣人來說，技藝不是「展品」。從1994 年《排灣人撒古流》到2013 年《排灣人撒古流：十五年後》，鍾愛部落傳統文化的藝術家撒古流從青年划行到中年。本片記錄88 風災後，撒古流回部落與族人併肩、扛起領導責任。在重建家園的過程中，撒古流生命裡的歷史記憶、身體技藝，仍舊在個人理想與傳統觀念之間、舊有與新存之際糾纏交錯，持續衝突、辯證。

春秋掌中 Taiwan et ses marionnettes

法國、台灣 France - Taiwan │ 2012 │ 52 min │ 尚若白 Jean-Robert THOMANN

2012 法國亞洲影展 Asian Film Festival of Tours

2013 法國費索爾亞洲國際影展Vesoul International Film Festival of Asian Cinema

本片試著發掘台灣，超過150 年歷史的洗練，所造就現今千變萬化、富象徵性和美感的木偶藝術。熱情的操偶師，為我們打開木偶戲藝術之門。例如，布袋戲大師陳錫煌，致力於把這門藝術傳承給年輕人。在製作布袋戲連續劇DVD 的拍攝片廠, 我們發現布袋戲、傀儡戲都和道教儀式有許多關聯。還有一位木偶操偶師，嘗試替年輕人創造出現代化的木偶戲劇。